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William Betts
The details are fuzzy. We can make out the good-natured glow of a tiny crosswalk man in the painting’s left corner, who assures us it’s safe to proceed, still, something doesn’t feel right. Two distinct human figures are centered in the street scene. It’s unclear what they’re doing, but the digital looking date and time...
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READY FOR SPRING? The Spring Issue of Modern In Denver is OUT NOW! Get expert lighting tips, update your vase collection for spring flowers and get to know some of the Colorado movers and shakers in our profile issue.
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