Connecting the Dots
The details are fuzzy. We can make out the good-natured glow of a tiny crosswalk man in the painting’s left corner, who assures us it’s safe to proceed, still, something doesn’t feel right. Two distinct human figures are centered in the street scene. It’s unclear what they’re doing, but the digital looking date and time in the left hand corner suggest it can’t be good. The title, “Attack” puts us further on edge, but can we really be sure of what’s occurring between these people? “I completely trust my instinct,” says painter William Betts in regard to his work. But when we stare into the dynamics of his paintings, can we trust ours?
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The Winter Issue of Modern In Denver is out now! It has everything you want for your holiday downtime! You might be interested in our intensive research into modern pet products, iPhone apps that Denver Creatives are using or the State of the Art(ificial) Grass. Be sure to cozy up next to the fire to read this issue’s feature on Joseph Eichler.